Aleksandra Domanović

Aleksandra Domanović’s work focuses on the intersections of technology, history and culture, considering the way that they shape our understanding of identity and contemporary society.

This new exhibition brings together sculpture, video, print, photography and digital media produced over the last eighteen years as it surveys the development of a playful yet critical practice shaped by information culture in the post-internet era. It is Domanović’s first solo exhibition in Scandinavia.

Aleksandra Domanović (b. 1981, Novi Sad) has held solo exhibitions at the Kunsthalle Wien (2024); Galleria d’Arte Moderna, Milan (2019); Museum of Contemporary Art Cleveland (2018); Bundeskunsthalle, Bonn; the Henry Moore Institute, Leeds (both 2017); Oakville Galleries (2016); ICA Winnipeg; Atlanta Contemporary Art Center, Georgia; Museum Boijmans Van Beuningen, Rotterdam (all 2015) and Kunsthalle Basel (2012). Her work has also been presented within numerous international group exhibitions including the 34th Ljubljana Biennial of Graphic Arts; the 58th Belgrade Biennial; the Baltic Triennial 14, Vilnius (all 2021); New Museum Triennial, New York (2015); Shanghai Biennale (2014); 12th Biennale de Lyon (2013); First Kyiv Biennale and the Marrakech Biennale 4th Edition (both 2012). Domanović lives and works in Berlin.

The exhibition is initiated by Kunsthalle Wien and realised with support from the Augustinus Foundation, the Danish Arts Foundation, and the Obel Family Foundation.

Image: Aleksandra Domanović, Open Man, 2016. Photo by Gunter Lepkowski. Courtesy the artist and Tanya Leighton, Berlin and Los Angeles.